Bach Bibliography
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Author : W. R.
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TypeListAuthor Title [further info]SeriesVolNoYearPagesStatus
[]
1. Fr. W. R--ch.[Bach als Orgelspieler] Urania(Erfurt) 5 7 1848 111-112
2. Schmidt, Johann W. R. (arr.)D moll-Konzert für Pianoforte von Joh. Seb. Bach. EdPeters 2194 1885 26p
3. Löw, R.Zu den beiden großen Messen von Bach und Beethoven. Eine das Confessionelle betreffende Parallele. SchweizerischeMzSängerBl 28 14f 1888
4. Löw, RudolfEin Gang durch J. Seb. Bachs Werke. 1898 22-45
5. Tann, W. R. B. (arr.)Fugue in G minor (16 of the 48) / Bach. GemsOrg 1 1900
6. Tann, W. R. B. (arr.)Fugue in C major / Bach. GemsOrg 1 1900
7. Tann, W. R. B. (arr.)Short prelude and fugue in A minor / Bach. GemsOrg 1 1900
8. Tann, W. R. B. (arr.)Pastorale in F / Bach. GemsOrg 1 1900
9. Löw, R.J. S. Bach und die Orgel. SchweizerischeMzSängerBl 43 18 1903
10. W. R. A.Bach's 'St. John' Passion. MTimes 75 1095 May 1934 458-459
11. W. R.Musikwissenschaft: Der erste Bach-Biograph. Anbruch 17 10 1935 288
12. Grunow, RichardJesu meine Freude. Eine Betrachtung zu J. S. Bach's gleichnamiger Motette. WürttembergBlKm 23 1956 4-7
13. Grunow, Rudolf (ed.)Begegnungen mit Bach. Ausgewählte Erzählungen über Johann Sebastian Bach und seine Musik. 1964 183p
14. Sragow, Ruth LaPorteThe harmonic circle-of-fifths technique in late-Baroque and Classic orchestral music: a comparison. diss. 1970 284p
15. Blackburn, Philip W. R.A Hitherto unpublished Cantata of J. S. Bach. [fs]Rosenthal 1984 11-16
16. Tatlow, Ruth MaryLUSUS POETICUS VEL MUSICUS. Johann Sebastian Bach. The Baroque Paragram and Frederich Smend's theory of a musical Number Alphabet. diss. 1987
17. Tatlow, Ruth MaryDer literarische Gebrauch der Alphabetzahlen zur Zeit Bachs. BulTheolBachF 1 1988 157-180
18. Tatlow, RuthJ. S. Bach and the Baroque Paragram: A Reappraisal of Friedrich Smend's Number-Alphabet Theory. Bach 20 3 Fall 1989 15-33
19. Tatlow, RuthJ. S. Bach and the Baroque Paragram: A Reappraisal of Friedrich Smend's Number Alphabet Theory. MLetters 70 2 Apr 1989 191-205
20. Tatlow, RuthBach and the Riddle of the Number Alphabet. 1991 186p
21. Tatlow, RuthTowards a theory of Bach's Pre-compositional Style. [p]BS_Dortmund Jan 1998
22. Tatlow, Ruth MaryTowards a Theory of Bach's Pre-compositional Style. DortmundBachF 2 1999 19-36
23. Tatlow, RuthBach: Easter Cantatas BWV 6 and 66. 2000
24. Tatlow, RuthBach: Funeral Cantatas BWV 106, 118, 198. 2000
25. Tatlow, RuthBach: Cantatas 3rd Sunday after Epiphany BWV 72, 73, 111, 156. 2000
26. Tatlow, RuthBach: Ascension Cantatas BWV 11, 128, 37, 43. 2000
27. Tatlow, RuthBach: Whitsun Cantatas BWV 34, 59, 74, 172. 2000
28. Tatlow, RuthBach: Feast of the Purification of the Blessed Virgin Mary BWV 82, 83, 125, 200. 2000
29. Tatlow, RuthBach: Cantatas for the New Year and for 21st and 23rd Sundays after Trinity BWV 16, 98, 139. 2000
30. Tatlow, RuthBach: Cantatas for the Visitation of Mary and 27the Sunday after Trinity BWV 140, 147. 2000
31. Tatlow, RuthBach: Advent Cantatas BWV 61, 36, 62. 2000
32. Tatlow, RuthBach: Christmas Cantatas BWV 63, 64, 121, 133. 2000
33. Tatlow, RuthBach: Cantatas for 9th Sunday after Trinity BWV 105, 94, 168. 2000
34. Tatlow, RuthBach: Cantatas for 11th Sunday after Trinity BWV 113, 179, 199. 2000
35. Tatlow, RuthBach and Numbers. BachCantataPilgrimage 2 2000 97-102
36. Tatlow, RuthNumerical ordering in Bach's church cantatas. [p]AMS_Toronto Nov 2000
37. Tatlow, RuthPre-compositional ordering in Bach's B Minor Mass. [p]IS_Oxford Dec 2000
38. Tatlow, RuthThe Use and Abuse of the Fibonacci Sequence, The Golden Section and The Divine Proportion in Musicology Today: With particular application to Bach Studies. [p]IS_Oxford Dec 2001
39. Tatlow, RuthText, the Number Alphabet and Numerical Ordering in Bach's Church Cantatas. DortmundBachF 3 2002 121-133
40. Tatlow, RuthN is for 'Numerology'. 2005
41. Tatlow, RuthThe Use and Abuse of Fibonacci Numbers and the Golden Section in Baroque Music. [p]BICB_Warsaw Jul 2006
42. Tatlow, RuthCollections, bars and numbers: Analytical coincidence or Bach's design? [p]BNUK_Oxford Dec 2006
43. Tatlow, RuthThe Use and Abuse of Fibonacci Numbers and the Golden Section in Musicology Today. UnderstandingBach 1 2006 69-85
44. Tatlow, RuthWhen the Theorists are Silent: Mattheson, Bach and the Development of Historically Informed Analytical Techniques. 2007 203-216
45. Strohm, Reinhard; Butt, John; Dreyfus, Laurence; Tatlow, RuthBach Network UK -- latest report: New Directions in Bach Studies: Second J S Bach Dialogue Meeting [9-10 December 2006 in Oxford] BachNotesLBS Mar 2007 [5]
46. Tatlow, RuthParallel Proportions, Final Revisions and the Status of Manuscript P 180. [cr]Belfast2007 1 2007 118-136
47. Tatlow, RuthNumerical Ordering in Bach's B-minor Mass. [cr]Belfast2007 2 2007 435-445
48. Tatlow, RuthN för Numerologi. TidigMusik 3 2007 18-19
49. Tatlow, RuthCollections, bars and numbers: Analytical coincidence or Bach's design? UnderstandingBach 2 2007 37-58
50. Kunow, RosemarieAufführung der h-Moll Messe von Johann Sebastian Bach am Freitag, den 16. November 2007 in der Kathedrale Saint-Clodoald/St.Cloud. MtblNBG 61 Winter 2007-08 32-33
51. Nosow, Robert (ed.)Violoncello Concertos / Carl Philipp Emanuel Bach. CPEBachCW 3 6 2008 xxxii, 171p
52. Tatlow, RuthBach's parallel proportions and their implications, illustrated by the Six solos for violin, the Leipzig organ chorales and the Musical Offering. [p]ABS_Bethlehem May 2008
53. Tatlow, RuthBach's Numbers? Proportional parallelism and its implications for musicology. [p]AMS_Nashville Nov 2008
54. Tatlow, RuthDemystifying Myths: Bach and his Use of Numbers. [p]BICB_Leeds Jul 2008
55. Tatlow, RuthReport on the Third J. S. Bach Dialogue Meeting: New Directions in Bach Studies. UnderstandingBach 3 2008 109-111
56. Tatlow, RuthBach's Parallel Proportions and the Qualities of the Authentic Bachian Collection. DortmundBachF 8 2009 135-155
57. Tatlow, RuthButtstett-Mattheson dispute and its implication for Bach Studies. [p]BNUK_Oxford Jan 2009
58. Erickson, Raymond; Tatlow, Ruth; Melamed, Daniel R.Bach & Friends: Three Reviews of Michael Lawrence's New Film. BachNotesABS 13 Fall 2010 1-4
59. Tatlow, RuthThe Goblet of Anise: A Case Study. [p]BICB_Belfast Jul 2010
60. [Leaver, Robin A.; Tatlow, Ruth]Report of the 14th Biennial Conference on Baroque Music. UnderstandingBach 5 2010 99-103
61. Tatlow, RuthBach no Ango: Kazu to Sozo no Himitsu. 2011 311, 63p
62. Tatlow, RuthDiscovering New and Recovering Old Methods for Bach Studies. [p]BNUK_Edinburgh Aug 2011
63. Tatlow, RuthReport on the Fifth Johann Sebastian Bach Dialogue Meeting. UnderstandingBach 6 2011 61-65
64. Tatlow, RuthChallenging Virtuality: A Personal Reflection. BachNotesABS 16 Spring 2012 5-6
65. Tatlow, RuthNarratives of Number in the Neumeister Chorales. [p]BICB_Southampton Jul 2012
66. Tatlow, RuthChallenging Virtuality: A Personal Reflection. UnderstandingBach 7 2012 57-60
67. Tatlow, RuthBach's Numbers: Sources, Exegesis, Illustrations. 2013
68. Tatlow, RuthParallel proportions, numerical structures and Harmonie in Bach's autograph score. [ce]ExploringBMM 2013 142-162
69. Tatlow, RuthBach's Numbers: Sources, Exegesis, Illustrations. [p]BNUK_Warsaw Jul 2013
70. Tatlow, RuthTheoretical Hope: A Vision for the Application of Historically Informed Theory. UnderstandingBach 8 2013 33-60
71. Tatlow, RuthMetaphor or Reality: Harmonic Proportions, Canons and Compositions in Heaven. [p]BICB_Salzburg Jul 2014
72. Tatlow, RuthBach's numbers: compositional proportion and significance. 2015 xviii, 411p
73. Tatlow, RuthA Missed Opportunity: Reflections on Written by Mrs Bach. UnderstandingBach 10 2015 141-157
74. Tatlow, RuthTen Years of Bach Network UK. UnderstandingBach 10 2015 175-177
75. Tatlow, RuthA Lutheran Theology of Proportions and Bach's Response. [p]ABS_SouthBend Apr 2016
76. Tatlow, RuthMagnificent Measurements: Significance in the Structure of C. P. E. Bach's Magnificat. [p]BICB_Canterbury Jul 2016
77. Tatlow, RuthA Glorious Summer Meeting: the 2015 Dialogue Report. UnderstandingBach 11 2016 149-152
78. Tatlow, RuthSymmetry and a Template: Bach's Well-Tempered Clavier, and Chopin's Preludes, Op. 28. [cr]Warsaw2017 2019 51-81

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